Alumni, History Department

Crosspost From History Blog: Summer Postcard: The Medievalist’s “Grand Tour”

Original post by Professor Nicholas Paul from: http://history.blog.fordham.edu/?m=201608

Eastbridge Pilgrim Hospital, Canterbury

Eastbridge Pilgrim Hospital, Canterbury

The next postcard in our series about the summer wanderings and adventures of Fordham historians sees PhD candidate Lucy Barnhouse undertake a medievalist’s version of the Grand Tour, presenting papers at the International Medieval Congress in Leeds, at Canterbury, and in Paris. Lucy reports:

“Leeds felt like something of a marathon on its own, and I was glad of the company of fellow Fordhamites Esther Cuenca and Louisa Foroughi. From our shared apartment we struck out for long but productive days of conferencing. Besides specialized panels galore, we got to enjoy medieval-inspired street food. It made good fortification for a series of panels on the social identities of medieval lepers.

Eastridge Pilgrim Hospital (interior)

Eastridge Pilgrim Hospital (interior)

From Leeds, I went directly to Canterbury, where the conference of the Society for the Social History of Medicine was hosted. The conference organizers gave us the chance to tour local sites of interest. Having predictably chosen to visit the pilgrim hospital of Eastbridge, I and some other medievalists proceeded on a self-guided tour of more of Canterbury’s historical architecture. After the conference—at which I presented alongside historians of the antebellum American South and twentieth-century England on the shared theme of hospitals in urban communities—I hiked out to Harbledown to see the twelfth-century leper hospital.

The last stop on the Grand Tour was Paris, where I attended my first meeting of the Society for the History of Authorship, Reading, and Publishing. I got to spend time with Alisa Beer, to meet new scholars, and to hear many interesting papers. Conference delegates also got free admission to the exhibits at the Bibliothèque Nationale, where we were hosted. Paris being Paris, I also consumed a truly alarming quantity of delicious pastries, and the conference wine-and-cheese reception was a gastronomic tour-de-force. Arguably more important was the fact that I got lots of encouragement to develop the paper I presented for a possible postdoc project. Now it’s back to the considerably less glamorous work of editing the dissertation!”

Thanks Lucy! And to all those Fordham historians on their summer adventures: keep those postcards coming!

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History Department, Judaic Studies

Magda Teter Begins This Year’s Lecture Series

This past 14 September, Professor Magda Teter, of Fordham’s History Department, delivered the first lecture of the new academic year on the liminal nature of the city of Trent after Simon of Trent’s supposed martyrdom.  Trent, a city on the border between Germanic and Italian cultures, was itself a liminal space in which concepts and societies interacted with each other and came into conflict.  The 1475 martyrdom of Simon of Trent, believed to have been an instance of blood libel, was not counted by the Italians as a parallel instance as that of William of Norwich.  They believed it to be instead a unique event, with no precedent.  Italian artists, in perpetuating Simon’s burgeoning cult, presented him as a triumphant saint, without sign of pain or anguish on his face.  North of the Alps, however, Northern European presentations of Simon had him more in line with other purported cases of blood libel, with Simon being tortured and mutilated.  These images emphasized the act of his martyrdom, while imagery produced in Italy presented the end result and his sanctification.

This difference in presentation was, Teter argues, symptomatic of a wider division between those who wanted Simon to be considered a saint and those who held the account of his death as suspect or merely wanted to see his as a victimization without greater spiritual value.  Mere weeks after Simon’s disappearance, Bishop Hinderbach of Trent distributed printed pamphlets in Latin and German relating the death of Simon and containing the earliest representations of contemporary Jews in printed media.  Weeks after that, Hinderbach released a second version of the story on newly printed pamphlets, with yet a third version of the story being spread via pamphlet after the papal order to cease the forced conversion of Jews in Trent, begun in response to Simon’s death.  It was this use of easily mass produced printed pamphlets that allowed Hinderbach to spread and establish Simon’s cult in Trent and beyond as quickly as he did and, largely, in spite of papal resistance.  Pope Sixtus IV, having forbade Hinderbach from allowing Jews to be forcibly converted or killed, resisted the notion that Simon was a saint by virtue of his supposed martyrdom on the grounds that only the papacy could render such judgments.  While Hinderbach, as Teter shows, was acting within the established medieval custom of allowing popular sentiment to drive the recognition of a martyr as a saint, the papacy at this time was establishing a more formal division between the concepts of saint and beatus/a, with the saint being the formally canonized figure and the beatus/a an approved figure to whom individuals can appeal without accusation of idolatry.  This conflict, ebbing for a time after Hinderbach’s death and the subsequent downturn in popularity of Simon’s cult beyond Trent, came to a temporary conclusion during the Council of Trent.  Teter believes that during this time, the attendees of the Council would have been inundated with the imagery of Simon’s martyrdom, resulting in a revival of his cult and his later inclusion in the liturgical calendar.  Simon’s inclusion in the liturgical calendar made it difficult for the papacy to assuage popular concerns over blood libel, as to deny its existence or instances in which it was purported to have occurred would be to call into question the legitimacy of officially recognized and celebrated saints.

Within this series of events, Teter sees the struggle between old and new understandings of how saints and beati/ae are or should be recognized.  Hinderbach, though the driving force behind the formation of Simon’s cult, was abiding by practices employed throughout the Middle Ages, while the papacy was attempting to exert greater influence over who could be officially recognized as a saint or even who could be seen as beati/ae.  Teter presents this struggle over recognition of Simon of Trent as exemplifying the liminality of the city of Trent at the time.  It was culturally liminal, chronologically liminal, and technologically liminal, and serves as a microcosm of the social, religious, and legal shifts taking place at that time.

The Center would like to thank Professor Teter for her lecture and for getting this academic year off to an excellent start!

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Faculty News, History Department

Richard Gyug Publishes His Newest Book

This past 15 August, PIMS published, as part of the Studies and Texts series, Richard Gyug of Fordham’s newest book, Liturgy and Law in a Dalmatian City: The Bishop’s Book of Kotor. Discussing an innovative liturgical compendium written in the mid-twelfth century mostly in Beneventan script, Liturgy and Law explores how the manuscript reveals civic and liturgical developments and interactions.

Richard Gyug, Liturgy and Law in a Dalmatian City: The Bishop’s Book of Kotor (Toronto: PIMS, 2016)

Richard Gyug, Liturgy and Law in a Dalmatian City: The Bishop’s Book of Kotor (Toronto: PIMS, 2016)

The Center for Medieval Studies would like to congratulate Dr. Gyug for his most recent contribution to the field!

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English Department, Graduate Studies

David Smigen-Rothkopf and Liz Light Recount Their Time In York

image001The Fordham-York exchange program was a wonderful experience full of challenges and inspiration! We’re two students at Fordham – Liz Light, a second-year PhD student in the English department who studies embodiment and gender in late-medieval devotional writing, and David Smigen-Rothkopf, currently finishing his MA Thesis on the idea of genealogy in Sir Thomas Malory’s Morte Darthur before starting in the English department this fall– who were chosen for the student-exchange program between the Center (and Centre) for Medieval Studies at Fordham University and the University of York. We helped out at York’s conference, Medieval Women Revisited, cosponsored by Palacky University in the Czech Republic. It was an experience filled with inspiring scholarship, excellent new studies from academics all over the world, camaraderie, and fruitful, thought-provoking conversations.

Upon our arrival from King’s Cross, Gillian Galloway kindly greeted us at the station and drove us to our apartment at which the York CMS had arranged for us to stay during our visit. We loved the apartment’s full kitchen, window view of the Minster, backyard rose garden, proximity to the CMS, and the really comfortable beds. Who could ask for more? Our hosts also gave us maps of amenities in the area, including a handwritten list of vegan restaurants for David!

On our first day we checked in with the Medieval Studies office, met everyone, and did a few quick preparations for the conference. One of the conference presenters, who lived close by, took Liz on a walk around town to point out some landmarks and get acquainted. When David arrived the next day, we went for a walk around the walls of York, through the park and the Shambles, eventually putting our heels up at the House of Trembling Madness (what a name!), a self-proclaimed medieval pub featuring a wall of over-the-top taxidermy, wooden beams flanking the ceiling, and many Yorkshire staples on the menu.

Zara Burford, PhD York, at left, and David Smigen-Rothkopf, MA, English Department, at right

Zara Burford, PhD York, at left, and David Smigen-Rothkopf, MA, English Department, at right

Our second day in York brought new adventures: a day trip with one of York’s PhD students, Zara Burford, who earlier this year had been on exchange to Fordham to help out at our “Manuscript as Medium” conference through the same bursary program that brought us to York! It was great to see her again and to have our hospitality returned with a trip through Yorkshire together.

Zara drove us to Rievaulx Abbey, a Cistercian monastery dating back to the twelfth century, now in ruins, nestled in the North York Moors. After a morning of exploring the abbey’s skeletal remains, we embarked on the seven-mile pilgrims’ walk to Helmsley Castle. The scenery was stunning, and we’re lucky it didn’t rain! Sheep, horses, cows, and the occasional hare greeted us on the walk. Arriving in Helmsley, we had tea in the castle’s walled garden before making the return trip to Rievaulx and then York.

The next day saw the beginning of the conference, but we still had time to explore York Minster in the morning! We spent a good amount of time admiring the many memorial stones and impressive architecture of the Minster, but we both agreed: the older, the better. It was amazing to go below the cathedral to see the remains of Roman and Norman York! After a quick bite to eat nearby, we made our way over to King’s Manor for the start of the conference.

The conference itself was wonderful. All of a sudden, no longer just guests, we were now hosts! The conference came to a rousing start with provocative presentations by Daniela Rywiková and Rachel Moss. Daniela’s opening

Daniela Rywiková, University of Ostrava

Daniela Rywiková, University of Ostrava

presentation about “Sin and Death Gendered” in late-medieval visual culture was especially interesting because her work is the first in Czech to investigate visual representations of “unspeakable” sins and their gendered associations. We also loved Rachel’s presentation on “(B)Romance and Rape Culture in Late Medieval England,” which asked provocative and challenging questions about homosociality and rape culture from Chaucer’s “Reeve’s Tale” to the modern-day case of Brock Turner’s recent prosecution. These two papers were an amazing way to kick off the conference, as they presented fascinating and refreshing new research. We reconvened for a homemade dinner in our apartment.

Brushing aside the jetlag with abundant coffee and Yorkshire tea, we were able to sit back and enjoy a full day of dynamic presentations and hearty discussion. The presentations were at the cutting edge of scholarship on medieval women’s social and economic roles. Through the collaborative effort of scholars from the United Kingdom and Central-Eastern Europe, the day proffered a vision beyond queens, saints, and nuns, to present a portrait of medieval Europe – indeed a multitude of portraits – where women played vital and active roles in the machinery of social, economic, and cultural life. Hollie Morgan’s opening paper discussed the magical and protective forces that ladies’ chambers played in medieval romance, tracing her findings to larger anxieties about women’s containment in contemporary culture. Gerhard Jaritz’s paper on gendered space in visual culture added important research to the field. Nicola McDonald’s presentation on women’s “unruly laughter” gave evidence for women’s reclamation of agency through irreverence, play, and “ludic misconduct.” Liz, who studies women’s embodiment and adores medieval medicinal manuals, especially enjoyed Kim Phillips’s paper on the cultural meanings of breast size for medieval women, titled “The Breasts of Virgins: Sexual Reputation and Female Bodies in Medieval Culture and Society,” which suggested that women’s breasts in the Middle Ages were active, not passive, body parts, with powerful meanings that inspired anxieties about female agency and sexuality.

After breaking for lunch, we prepared for the conference’s second half, which held a multitude of papers often exploring women’s economic roles in the Middle Ages. Maria Mogorovic presented invaluable research on marriage patterns and concubinage in medieval and early modern Istria, while Beata Mozejko explored women’s roles in Gdansk, Poland based on her groundbreaking findings from Gdansk’s written records. Vicki Blud offered a refreshing look at queer medieval women in Confessio Amantis and the Roman de Silence, revealing the instabilities of naturalized gender roles in these disruptive texts. Returning to the economic and social sphere, Cordelia Beattie asked of us, “Did Married Women Stop Making Wills in 15th Century England?” while Teresa Phipps “located” women in the town court rolls of Nottingham and Chester, showing us how medieval women traveled, trespassed, and traversed the streets, marketplaces, and homes of these towns.

The day concluded with a dinner, arranged by the York CMS, with the many speakers. Food, drinks, and laughter were in abundance, bringing the evening to a happy conclusion. David was so happy to see a vegan meal and dessert!

The next day brought us even more inspiring and thoughtful papers, focusing largely on women’s economic and social statuses. Michaela Antonin Malanikova explored spousal property relations in late medieval Czech towns while Deborah Young showed how women negotiated the boundaries of justice through their appearances as plaintiffs in Star Chamber court cases. Jeremy Goldberg, one of our kind hosts at York and the key organizer for this conference, revisited the social and economic implications for medieval women that he had considered in his 1992 book, Women, Work, and Life Cycle in a Medieval Economy, asking provocative questions about whether the so-called “position of women” can be categorized according to a single model, or through quantifiable statistical findings. Goldberg’s critique built an even more nuanced picture of medieval women’s economic position, this time revealing the problematic relationship between women and history by juxtaposing historical and literary sources.

We finished up the final day of the conference with a luncheon roundtable asking the question, “Medieval Women: Where Next?” It was wonderful to hear so many voices contributing to this discussion. What kinds of papers about medieval women are appearing in the academic world today? We talked about the need for more excellent scholarship on medieval women, especially work that crosses disciplinary boundaries and unearths concurrent and contemporary issues, such as women and power, embodiment and gender presentation, and internationalism. Provocative in its uncompromising appraisal of the current state of scholarship and its ambitious goals for the diversification of both the scope and participation in the field, this roundtable was a high point of inspiration and encouragement to both of us, and really reflected the camaraderie and solidarity that characterized the rest of the conference!

Liz Light, PhD candidate, English Department

Liz Light, PhD candidate, English Department

Our last day in York brought us to the Museum Gardens just behind the Centre for Medieval Studies, where we met some friendly owls through Yorkshire’s falconry group. A proper sendoff for a wonderful visit! We will dearly remember this fantastic experience. We want to thank the University of York’s Centre for Medieval Studies and, of course, Fordham University’s Center for Medieval Studies for such a great opportunity to meet new friends, rub shoulders with admired scholars, and encounter exciting ideas about medieval women and medieval scholarship in general!

David Smigen-Rothkopf, MA, English Department

David Smigen-Rothkopf, MA, English Department

Thank you, Fordham, and Thank You, York!
-Elizabeth Light and David Smigen-Rothkopf

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Manuscript Studies, Medieval England

Andrew O’Sullivan at the Folger Institute

Andrew O’Sullivan spent this past 23-27 of May at the Folger Institute in Washington, D.C. He attended there the Institute’s Orientation to Research Methods and Agendas with the intention of gaining a better understanding of the textual environment in which early modern readers began to re-learn and engage with Old English and Anglo-Saxon studies and the kinds of books those readers would have read to do so. While there, Andrew met Dr. Owen Williams, the Assistant Director of Scholarly Programs, who served as the groups’ primary guide through the busy week’s program. Extremely knowledgeable of current scholarship concerning the Institute’s library and materials, Dr. Williams engaged the attendee’s interests and provided them with the names of scholars with connections to the library whose work overlapped with those interests.
With this guidance, Andrew and the attendees each chose one or two books or manuscripts from the Institute’s Rare Books collection as the focus of their studies. Andrew picked Richard Verstegan’s 1605 history of Anglo-Saxon England and first printed Old English wordlist, Restitution of Decayed Intelligence; and William Somner’s Dictionarium Saxonico-Latino-Anglicum, a trilingual Old English-Latin-English dictionary printed in 1659. Andrew’s time with the books provoked new questions about their genesis and how their readers used them prompted in large part by the daily workshops and discussions during which the Folger Institute’s staff and other visiting scholars presented aspects of book production and trade.  As an example, Dr. Thomas Fulton, a Milton researcher on leave from Rutgers University’s English Department, observed in one presentation that the paratextual elements of the King James Bible, such as the frontispiece and its caption, may have shaped the structure of Paradise Lost. Inspired by this, Andrew spent that day paying extra attention to the paratext of Verstegan’s Restitution, noting a number of dedicatory poems written by, among others, Richard Stanihurst, an Irish historian, and Cornelis Kiliaan, a Dutch lexicographer. This wide array of scholars with an interest in English language history crossed national and confessional lines in ways that Andrew believes “defy easy explanation.” At the end of the week, Andrew and the other attendees presented the highlights of their individual investigations to the group so that they might inspire new methods of analysis or insights.
Andrew came away from the program with a richer understanding of the complex social context from which the books he chose emerged. Additionally, the experience of researching the Anglo-Saxon past at the Folger Library provided an opportunity to reflect on how each age places itself in relation to its past. Books like Verstegan’s were written to commemorate the English past, but they were also meant to demonstrate that England’s origins lay outside itself, much as the Folger Library seeks to remind us of our own nation’s extraterritorial origin. But the monumental aspect of the library and even the city around it work to consolidate history and create a unified image, meant to stand against time and dissolution. As a result, attempts to memorialize the past can have the effect of sealing it off rather than opening it up for engagement. Making the past visible and vital to the present requires constant work from its students; Andrew, and the other participants had the privilege of learning from the Folger Institute’s staff, who were able to show how the books in the library’s collection pointed to complex historical realities. To avoid presenting a rigid and brittle image of the past, institutions need people like those at the Folger Institute who can respond to the questions and interests of the public and present the objects they preserve in a way that invites further investigation.

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Digital Humanities

Heather Hill at the Digital Humanities Summer Institute

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University of Victoria, British Colombia, Canada

Over the week from June 5 to June 11, 2016, Heather Hill had the opportunity to visit the beautiful campus at the University of Victoria in British Columbia, Canada, for the annual Digital Humanities Summer Institute (DHSI). DHSI is a multi-faceted learning experience that brings digital humanists together from around the world. It includes daily classes, workshops, unconferences, networking events, colloquium sessions, and lectures throughout the week. This year, DHSI also coincided with the Electronic Literature Organization (ELO) conference being held on Victoria’s campus, allowing interaction between these two digital communities.

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From the class powerpoint presentation given by Constance Crompton and Lee Zickel

During her visit, Heather took a course on text encoding, learning the basics of the Text Encoding Initiative (TEI) and its complementary programs and organizations. She was able to apply what she learned immediately to the Independent Crusaders Mapping Project that is currently being developed by the Center for Medieval Studies. Students working on this project at the Center are encoding charters with TEI markup while also mapping the places of departure for each crusader. Heather will further be able to use TEI as she pursues a career as a digital humanities librarian next year at Pratt Institute.

Heather was also able to promote the work of Fordham’s digital humanities community and the Center for Medieval Studies at the DHSI colloquium. On the first day of the sessions, Heather presented on the project “Exploring Place in the French of Italy” (EPFOI) and described the Center’s methodology of mid-range reading. With this methodology, project members mapped place names without necessarily looking within a text, but they still acknowledged the individuality of each one. Audience members were receptive and asked several follow-up questions concerning how they could also utilize this method, seeming eager to replicate the process.

Heather would like to thank the GSA and the PDG committee for helping fund her visit to DHSI.

By Heather Hill

 

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Student Life

Alexa Amore (Medieval Studies) returns from walking the Camino de Santiago

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Alexa Amore (MA Program, Medieval Studies) at Las Medulas (ancient Roman mines near Ponferrada, Spain).

Every year, students at Fordham University have the unique opportunity to walk the Camino de Santiago through the study abroad course Study Tour: Medieval Spain. This summer, graduate student Alexa Amore (MA Program, Medieval Studies) accompanied Professor David Myers, chaperones Alex Egler, Louisa Foroughi, and Rachel Podd, and a group of 24 undergraduate students (Fordham’s largest Camino group to date!) on the medieval pilgrimage route from León to Santiago de Compostela. The group was also thrilled to be joined in Spain by Katrine Funding Højgaard, a former visiting student from Denmark in Fordham’s graduate program in Medieval Studies.

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Apse of Sant Climent de Taüll (twelfth century romanesque fresco), National Art Museum of Catalonia, Barcelona.

As a medievalist with interests in pilgrimage studies and art history, Alexa was eager to follow the traditional pilgrimage route through Spain and to adopt the lifestyle of a pilgrim, or peregrina. She opted to travel as light as possible, leaving her laptop at home and bringing only a twelve pound backpack and camera with her for the entire trip. Alexa arrived in Spain several days before the official start of the study tour in order to spend some time in Barcelona and Madrid. Among the highlights from this part of her journey, she visited several famous Gaudí buildings including the Sagrada Familia as well as the National Art Museum of Catalonia, which houses one of the most important collections of romanesque frescoes in the world.

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Katrine Funding Højgaard (Fall 2015 visiting student, MA Program, Medieval Studies) standing in front of El Christo de la Luz, a mosque built c. 999-1000 CE and later converted into a church.

She also visited all three major museums in Madrid–the Prado, the Reina Sofia, and the Thyssen Bornemisza–and took a day trip to Toledo in order to see  several former synagogues and mosques, including El Cristo de la Luz. “As an undergraduate I took a class on Spanish art that covered everything from visigothic churches to Picasso’s Guernica,” she explained “so I was so excited to see all of these works of art in person.”

When she arrived in León, Alexa started to feel nervous about the two weeks of hiking that lay ahead of her. “I didn’t do much training ahead of time because I was so busy during the semester… I wasn’t sure how it was going to work out, but I was determined to walk the whole way on my own two feet!”

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Sunrise at Rabanal del Camino, a tiny village on the Camino de Santiago with approximately 60 permanent residents.

For Alexa, the best part of the pilgrimage was the journey itself. She especially enjoyed the tiny villages along the Camino “where there was absolutely nothing going on and it was just peaceful and life was incredibly simple for the people living there. It was so nice to arrive, take off my shoes, and just sit and look at the sky and the mountains, listen to the birds and watch the sun set. And after a really long day’s walk, you just feel like you earned every minute of that stillness.”

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Katrine Funding Højgaard (Fall 2015 Visiting Student, MA Program, Medieval Studies) and Alexa Amore (MA Program, Medieval Studies) proudly display their completed credenciales and compostellas at the pilgrim’s office in Santiago de Compostella.

After the long-awaited arrival in Santiago de Compostela with the Fordham group, Alexa travelled south to spend a few days visiting Córdoba, Granada and Seville. 28 long days on the road later, she was happy to return to the United States. “It didn’t take long for me to realize that all along, I was actually on a pilgrimage to New York City,” she explained. “I really missed home, but I was so glad that I left it all behind in order to gain a fresh perspective on where I am in my life now and where I’m going in the future.”

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The Fordham Peregrinos of 2016!

For more on the Camino de Santiago, visit the Fordham peregrinos’ ongoing digital project, Mapping the Camino: The Student’s Guide to the Camino de Santiago, which Alexa founded along with Professor Myers and the Fordham peregrinos of 2016.

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Events

CMS Sends Off the Medieval Studies MA Class of 2016 with Farewell Conference!

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From left to right: Susanne Hafner (Program Director, Medieval Studies), David Smigen-Rothkopf, Alexa Amore, Alex Profaci, Anna Lukyanova, Alex Wright, Heather Hill, and Laura Morreale (Associate Director, Medieval Studies).

The Center for Medieval Studies threw a farewell party and conference for our graduating Master’s students on Saturday, May 7th. All seven students who will graduate in August,  Alexa Amore, Heather Hill, Scot Long, Anna Luykanova, Alex Profaci, David Smigen-Rothkopf, and Alexandra Wright gave papers showcasing the scholars they have become during their time at Fordham. The conference concluded with a champagne and cake reception. The CMS would like to congratulate the graduating class of 2016 for all that they have accomplished at Fordham and their impressive placement record! We look forward to seeing what this group will achieve in the coming years.

Alexander Profaci delivered his presentation, “Old French and the Tragedy of Norman Historiography,” based on a chapter from his thesis. Comparing the Gesta Normanorum Duco with the earliest version of the Chronique des ducs de Normandie, Alexander presented the 13th century Chronique, in its lack of heroic or religiously inspirational imagery, as the presentation of Norman history as a tragic retrospective of Norman independence. David’s presentation, “Twisted Lines: Genealogical Prophecy and Historiography in Sir Thomas Malory’s Morte Darthur,” put forward that Malory’s famous “Month of May” passage portrays both his hopes for the future return of the chivalric ideal and his resignation that there is no certainty in the future. While royal lineage was often used to present history as stable and predictable enough to provide a more certain view of the future, Malory’s genealogy of Arthur depicts a less certain view, as Arthur left no effective heir, nor did he, himself, legitimate, questioning the supposed stability of royal lineage and its ability to maintain a more stable future. Anna Lukyanova’s “Consecracio Regis: The Making of Kings, Political Liturgy, and Cross Cultural Exchange in the Medieval Latin East” explored possible influences or sources for the development of the ceremony of the coronation of the Latin kings of Jerusalem. Looking at the similarities between the oaths sworn by the king of Jerusalem and those sworn by the Byzantine emperor upon his own crowning and the fact that kings of Jerusalem were anointed, which was a common practice in Western Europe but not done in Constantinople, Anna sees the ceremony in Jerusalem as a hybrid of Byzantine and Western European rituals, displaying a level of cultural interaction between the Kingdom of Jerusalem and its Greek Orthodox neighbour. The final presentation of the first panel was that given by Scotland Long, “Medieval Authorship in 15th Century Castilian Romance,” in which he examined the variances between manuscripts and printed editions of the Cronica Saracina, a Spanish retelling of the 711 Islamic invasion of Iberia. One of the numerous differences between copies of the two versions he compared was a greater emphasis on the aspect of holy war in the printed editions, corresponding with the Reconquista.

The second panel began with Heather Hill presenting, “Exploring Place in the French of Italy: Mid-Range Reading as a Model for Digital Medieval Mapping,” in which she explained the process and methodology employed behind the creation of a digital map for the French of Italy website. She introduced the concept of mid-range reading, which, contrary to close or distant reading, requiring critical analysis and a macrocosmic discussion of text types, respectively, looks at individual works, words, and place descriptions, but also for over-arching trends in source material. This method of research, Heather related, was the ideal method for preparing a digital map based on medieval sources. The second presentation was Alexa Amore’s “Animated by Pious Zeal: The Cult of Carts and the Oxen of Laon Cathedral,” introducing not only what the concept of the cult of carts was to non-art historians, but also the far-ranging impact this practice had on forms of pilgrimage in Laon, Amiens, and Chartres. Inspired by a miraculous bovine having appeared just as it was needed to aid in hauling stone from a quarry to Laon cathedral after it was destroyed in a communal uprising, the cult of carts was a pilgrimage practice that had pilgrims seeking penance by pulling carts loaded with stone. The cathedral of Laon is decorated with a number of statues of oxen, remarkably accurate in their presentation, looking down upon the crowds from the cathedral spires, marking this miraculous event and linking it intrinsically with the continued existence of the cathedral of Laon. The final presentation was delivered by Alexandra Wright titled, “’I feel but hunger and thirst for you,’ Spiritual Food, Eroticism, and Queer Desire in Augustine’s Confessions.” Exploring Augustine’s presentation of his own desire, Alexandra showed how, as Augustine aged, his desires were never truly fulfilled. This tension is carried out through his childhood, in which he desired food even when he did not need it, through his adolescence and early adult life, when he desired sex but was never satisfied by it. These desires are, in his later years, transferred to a love of God, and the absolution he finds replaces the fulfilling of his desire.

Congratulations to the class of 2016 for their excellent contributions to their fields and to the Centre. Well done!

Conference Program:

Session I: 11:00 a.m. – 1:00 p.m.
Chair: Nicholas Paul

  • Alexander Profaci (MVST MA ’16, moving on to the PhD program in History at Johns Hopkins University):
    “Old French and the Tragedy of Norman Historiography”
  • David Smigen-Rothkopf (MVST MA ’16, moving on to the PhD program in English at Fordham University):
    “Twisted Lines: Genealogical Prophecy and Historiography in Sir Thomas Malory’s Morte Darthur”
  • Anna Luykanova (MVST MA ’16, moving on to the PhD program in History, UNC Chapel Hill):
    “Consecracio Regis: The Making of Kings, Political Liturgy, and Cross Cultural Exchange in the Medieval Latin East”
  • Scotland Long (MVST MA ’16, moving on to the PhD program in Spanish, University of Pennsylvania):
    “Medieval Authorship in 15th century Castilian Romance”

Saturday Brunch: 1:00 p.m. – 2:00 p.m.

Session II: 2:00 p.m. – 3:30 p.m.
Chair: Alex Novikoff

  • Heather Hill (MVST MA ’16, moving on to the MS program in Library and Information Science at the Pratt Institute):
    “Exploring Place in the French of Italy: Mid-Range Reading as a Model for Digital Medieval Mapping”
  • Alexa Amore (MVST MA ’16, moving on to the MA program in Art History, Case Western Reserve University):
    “Animated by Pious Zeal: The Cult of Carts and the Oxen of Laon Cathedral”
  • Alexandra Wright (MVST MA ’16, moving on to the MS program in Library Science at the University of North Texas):
    “‘I feel but hunger and thirst for you’: Spiritual Food, Eroticism, and Queer Desire in Augustine’s Confessions”

Cake and Champagne Reception: 3:30 p.m. – 5:00 p.m.

This conference is dedicated to the memory of three wonderful teachers:

Astrid O’Brien
Louis Pascoe SJ
Maureen Tilley

The Center for Medieval Studies thanks the Graduate Student Association for their contribution to this conference.

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Events

Fordham Students Participate in Parchment Making Workshop at Pergamena

IMG_3649On Saturday, April 16, a group of Medieval Studies graduate students, along with undergraduate students taking Dr. Nina Rowe’s Illuminated Manuscripts course and other Medieval Studies majors and minors, visited Pergamena, the only parchment-making workshop in the United States. The master of this shop, Jesse Myers, provided students with a truly interdisciplinary experience. He began the day by telling students the long history of his family’s business, which began as a tannery in sixteenth-century Germany and moved to the United States in the early nineteenth century, traveling up and down the Northeast before settling in Montgomery, New York. After a series of contracts were terminated about ten years ago by companies including Steinway & Sons and a bowling shoe factory, he decided to revamp the family business by filling a niche industry: parchment-making. Although his family still works leather as well, Myers’ decades-long interest in creating parchment paid off; they now provide materials for manuscript reproduction, bookbinding, and archival restoration, just to name a few industries. Myers has also helped scholars settle debates that have previously been unsolvable for centuries, such as finding evidence against the use of uterine calves in the creation of medieval books of hours.

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In addition to this personal history lesson, Myers also told students the history of parchment, starting in the fifth century BCE, and described how tanners around the world today work leather and parchment. He also introduced students to the more scientific side of parchment-making, including the chemical processes it takes to prepare the skin and how physics and biology apply to his work. Myers additionally gave students a lesson in economics, detailing for instance how the recession caused a rise in beef sales, thus decreasing the number of calves available for creating luxury parchment. But perhaps the most exciting parts of the day were the hands-on portions. Myers let any interested students (and professors) try their hand at de-fleshing the skin, squeezing the moisture out of the wet parchment, and scraping off the excess follicles. He used these more practical lessons as a way to show us how difficult it was to work as a parchment-maker in the Middle Ages and to emphasize how far new machinery has taken us.

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Having the opportunity to not only catch a whiff of the parchment-making process but also to experience the process firsthand and to get an in-depth look at the business gives participating students an advantage in understanding the reality of parchment. Jesse Myers provided students with a once-in-a-lifetime opportunity, and these students can now go forth and add new dimensions to their scholarship while contributing novel insights into medieval life.

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By Heather Hill

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Art History

In the glasing y-wroght: Medieval Glass as Material Medium and Message

The 2016 Harvard Medieval Material Culture Lectures and Workshops were held Monday, April 4- through Thursday, April 7 in Cambridge, Massachusetts. Featured lecturers were Elizabeth Pastan of Emory University and Patrick Degyrse of University of Leuven.

On Thursday morning at the Fogg Museum, Elizabeth Pastan, Professor of Art History at Emory University along with Katherine Eremin, Research Scientist of Harvard Art Museums and Charlotte Gray, Art Historian of Harvard University presented The Craft of Medieval Glass: Decorative Glass in the Harvard Art Museums. Their focus was medieval stained glass.

In their presentation it was explained how technology based equipment used for XRF analysis could be brought on site to research the chemical makeup of individual pieces of a stained glass window in order to determine whether which pieces were original, and which were part of a restoration. It furthermore allowed the glass to be assigned a date and region of origin. Chemical processes were also explained for creating clear glass (white glass), transparent colored glass, and opaque colored glass. During the presentation smaller stained glass samples were illuminated over a light box for close inspection. Methods for cutting and assembling stained glass panels were also explained and a section of lead came, the metal structure which supports a glass panel, was on hand for inspection.

Next, methods for firing images and text onto a glass surface were explained. Using silver stain (silver nitrate) and vitreous paint, the front and reverse sides of a piece of glass could be treated in order for an artisan to reach a desired effect. This process could also have been repeated multiple times if necessary.

The relationship between stained glass designer and stained glass artisan was then described. In some cases the relationship could be contentious, however one example was shown of an artisan’s faithful interpretation of the artist’s original design. In terms of installation, if a window were to be located high above ground, a full-scale cartoon would be placed on the floor of the actual site where the glass pieces could be laid out to ensure accuracy and efficiency during an installation.

The presentation moved into the Naumburg Room, a two-story Jacobean hall, deigned with special light wells for displaying and viewing recently restored stained glass windows. The highlight of the two-hour presentation was the ehibition of a restored late-12th Century roundel from the Canterbury Cathedral, depicting the life of Thomas Beckett. The decision making process of the restoration as well how to support, display, and illuminate the work were discussed at length.

For stained glass enthusiasts, two valuable resources are:

www.corpusvitrearum.org

www.therosewindow.com

Naumburg Room, Fogg Museum, Boston

Scenes from the life of Thomas Beckett.

Later that afternoon Patrick Degryse, Professor of Archaeometry at University of Leuven presented The Technique and Trade of Glass in Antiquity and the Middle Ages at the Harvard Semitic Museum. The museum’s basement level is not only used for storage but for hands-on research and ongoing projects where currently approximately 400 glass objects are in the process of being catalogued. By performing isotopic analysis, Degryse attempts to trace the glass back to its source.

Unlike the earlier stained glass presentation, these glass objects were formed from molten glass taken directly from a furnace. The workshop’s participants were invited to observe and handle about a dozen of these glass objects. The glass was explained in terms of its fundamental properties of which silica (sand), makes up approximately 75% of the material. Other ingredients would have included plant ash and sodium carbonate. Sand samples taken from various regions of the Mediterranean were then examined by the workshop participants who then theorized which samples would be most suitable for glassmaking.

Next, working with modeling clay, the participants had an opportunity to simulate techniques for working with hot glass. The three techniques discussed were core-trailed glass, mold formed glass, and blown glass. According to Degryse glassmaking goes back to at least 3000 BC, but glassblowing did not develop until approximately 100 BC.

One very important point in the history of the development of glassmaking is the enormous consumption of fuel. Molten glass is kept at approximately 1600 F, a temperature which would need to be maintained over a period of days, even weeks, and would require the cutting of thousands of trees, essentially deforesting the area where the glass shop was built. Therefore glass shops would move their location nearer to fuel sources. Glass furnaces necessarily took an enormous toll on local forests resulting in medieval laws prohibiting the use of glass furnaces.

If you have not seen it, glassblowing is a fascinating process to watch. Visit the website for the Corning Museum of Glass in Corning, NY and click on their video links.

www.cmog.org

Roman mold formed glass

core trailed glass

By Michael Weldon

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